Mirrors of Modernity, Repositories of Tradition: Conceptions of Japanese Feminine Beauty From the Seventeenth to the Early Twentieth Century

dc.contributor.authorMarr, Kathryn Rebecca
dc.date.accessioned2016-02-16T22:20:35Z
dc.date.available2016-02-16T22:20:35Z
dc.date.issued2015en
dc.description.abstractThis thesis examines conceptions of Japanese feminine beauty from the seventeenth to the early twentieth century, with an emphasis on the Meiji period (1868-1912). Through an examination of artistic, literary and cultural representations of beautiful women during this period, I address changes in representations of Japanese feminine beauty from the Tokugawa to the Meiji periods; the role the Meiji state played in shaping Japanese conceptions of feminine beauty; and Japanese women’s response to Western ideals of feminine beauty during the Meiji period. I argue that the Meiji state’s employment of the Japanese feminine image to assist its nationalistic agenda, together with the adoption of Western aesthetic values, led to the development of conceptions and representations of feminine beauty during the Meiji period which demonstrate an intricate cultural synthesis and symbiosis, comprising both nostalgia for Japanese tradition and Western aesthetic ideals.en
dc.identifier.urihttp://hdl.handle.net/10092/11814
dc.identifier.urihttp://dx.doi.org/10.26021/3745
dc.languageEnglish
dc.language.isoen
dc.publisherUniversity of Canterburyen
dc.rightsAll Rights Reserveden
dc.rights.urihttps://canterbury.libguides.com/rights/thesesen
dc.titleMirrors of Modernity, Repositories of Tradition: Conceptions of Japanese Feminine Beauty From the Seventeenth to the Early Twentieth Centuryen
dc.typeTheses / Dissertations
thesis.degree.disciplineJapanese
thesis.degree.grantorUniversity of Canterburyen
thesis.degree.levelMastersen
thesis.degree.nameMaster of Artsen
uc.bibnumber2139124
uc.collegeFaculty of Artsen
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