• Nihavend Peşrev 

  De Lautour R (2019)

  I began composing this work in June 2018 as the result of a collaboration with Cellist Yelda Özgen Öztürk and Kemençe player Neva Özgen. Using recordings of the duo performing a traditional Ottoman work as material, I ...

• Involution : For Flute, Erbane, Live Electronics : Score in C 

  De Lautour R (2018)

  Involution is an attempt to fuse two very different sound worlds: that of the Kurdish Erbane (a type of traditional frame drum fitted with metallic rings), and concert Flute. In order to tease out the timbral character of ...

• Thx for the memories 

  Millar, Paul (2019)

  Poem published in the 'Wednesday Poem' section of The Spinoff

• In Bloom 

  Carr S (2020)

  In Bloom was developed by Steve Carr while on residency at McCahon House in French Bay, West Auckland. The bronze-cast tyres and living floral arrangements present a contrast in materials, offering a moment of reflection ...

• An auscultation of reminiscence 

  De Lautour R (2020)

• The Bridge of a Single Hair 

  De Lautour, R. (2018)

• Glass Ephemera 

  De Latour, Reuben (2020)

  Glass Ephemera is scored for piano and live interactive electronic sounds. The work explores the connection between sonic resonance and memory. The musical material is derived from a physical object made of glass, which ...

• Refractions 

  De Latour, Reuben (2019)

  This work was composed for the newly formed Christchurch contemporary music ensemble cLoud Collective, and premiered at the Christchurch Arts Festival, July 30th 2019, at The Piano.

• Echoes of the Inveigled 

  De Latour, Reuben (2019)

  Echoes of the Inveigled is based on a fragment from a field recording of a street demonstration in Istanbul's Istiklal Caddesi. The sonic features of the protest include a group of traditional drummers playing a frenzied ...

• The Blue-Grey Wall: (Corpore)oceanographies 

  Harrington EJ (2015)

  This critical, research-supported article was published in conjunction with the online documentation of the exhibition 'The Blue Grey Wall' at the Physics Room as a commentary on and response to the work

• Ex Tenebris Lux (Symphony no.3) 

  Shepherd, Patrick (Christchurch School’s Music Festival Association, 2015)

• Naive Melody 

  Pohio N; Win, Hamish (2013)

• Review: The Capetian Century, 1214 to 1314, ed. by W. C. Jordan and J. R. Phillips (Turnhout: Brepols, 2017) 

  Jones CN (ANZAMEMS, 2018)

  This collection originates in a conference held at Princeton in 2014 to mark two anniversaries in French history: the famous Battle of Bouvines and the death, a century later, of King Philip IV. As William Chester Jordan ...

• The stars are out of service…..until further notice 

  Cooper GW (2014)

  Spoken word poem. Performed at the Caribbean Philosophical Association Conference, Quintana Roo, Mexico, 2015.

• A Transitional Imaginary: Space, Network and Memory in Christchurch 

  Ballard S; Benson T; Carter R; Corballis T; Joyce Z; Moore H; Priest J; Smith V (Harvest (in collaboration with Aotearoa Digital Arts), 2015)

  A Transitional Imaginary: Space, Network and Memory in Christchurch is the outcome and the record of a particular event: the coming together of eight artists and writers in Ōtautahi Christchurch in November 2015, with ...

• Seven Tragedies of Sophocles - Oepidus at Colonus 

  Bond, Robin (2015-06-11)

  Verse translation of Sophocles' Oedipus at Colonus

• Seven Tragedies of Sophocles - Philoctetes 

  Bond, Robin (2015-06-12)

  Verse translation of Sophocles' Philoctetes

• The Oresteia of Aeschylus - The Libation Bearers 

  Bond, Robin (2015-06-12)

  Verse translation of Aeschylus' Libation Bearers

• The Oresteia of Aeschylus - Eumenides 

  Bond, Robin (2015-06-12)

  Verse translation of Aeschylus' Eumenides

• The Oresteia of Aeschylus - Agamemnon 

  Bond, Robin (2015-06-12)

  Verse translation of Aeschylus' Agamemnon

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