Do You, Don't You, Want my Trauma?: Some Issues Facing Post-Disaster Memory Projects (2015)
The last few years have seen the emergence of a range of Digital Humanities projects concerned with archiving material related to traumatic events and disasters. The 9/11 Digital Archive, The Hurricane Memory Bank and the CEISMIC Canterbury Earthquakes Digital Archive are a few such projects committed to collecting, curating and making available disaster-related images, stories and media for the purposes of commemoration, teaching and research. In this paper Paul Millar 1. examines the value of such projects in preserving post-disaster memories, 2. explores some differences between passive and active digital memory projects, and 3. asks whether even the most determinedly open and inclusive digital memory project can preserve its values when issues of race, class, gender, politics and economics impact upon its activities.
ANZSRC Fields of Research21 - History and Archaeology::2102 - Curatorial and Related Studies::210201 - Archival, Repository and Related Studies
21 - History and Archaeology::2102 - Curatorial and Related Studies::210202 - Heritage and Cultural Conservation
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The City of the Fugitives: Does Selective Preservation of Disaster Memories Mean Selective Recovery From Disaster? Millar P (2016)We’ll never know why the thirteen people whose corpses were discovered in Pompeii’s Garden of the Fugitives hadn’t fled the city with the majority of the population when Vesuvius turned deadly in AD79. But surely, thanks ...
Millar P (2016)In this paper Paul Millar outlines the development of the University of Canterbury Quakebox project, a collaborative venture between the UC CEISMIC Canterbury Earthquakes Digital Archive and the New Zealand Institute of ...