Now showing items 1-2 of 2
Plenitudes of Painting: Wilhelm Worringer and the Relationshipbetween Abstraction and Representation in European Paintingat the Beginning of the Twentieth Century
(University of Canterbury. School of Humanities, 2012)
Throughout the twentieth century, the relationship between representation and abstraction has been regarded predominantly in terms of opposition. One of the prominent early twentieth-century defenders of this approach is ...
New Zealand Prints 1900-1950: An Unseen Heritage
(University of Canterbury. School of Fine Arts, 2006)
The vibrant school of printmaking which emerged and flourished in New Zealand between 1900 and 1950 forms the subject of this thesis. It examines the attitudes of the printmakers, many of whom regarded the print as the ...