'"Thank goodness for our little radio": Researching post-quake radio audiences' (2016)
This article discusses the use of radio after major earthquakes in Christchurch, New Zealand, in 2010 and 2011. It draws on archival sources to retrospectively research post-quake audiences in the terms people used during and soon after the earthquakes through personal narratives and Twitter. Retrospective narratives of earthquake experiences affirm the value of radio for communicating the scale of disaster and comforting listeners during dislocation from safe home spaces. In the narratives radio is often compared with television, which signifies electricity supply and associated comfort but also visually confirms the city’s destruction. Twitter provides insights into radio use from within the disaster period, but its more global reach facilitates reflection on online and international radio from outside the disaster-affected area. This research demonstrates the value of archival audience research, and finds that the combination of online radio and Twitter enables a new form of participatory disaster spectatorship from afar.
CitationJoyce ZC (2016). '"Thank goodness for our little radio": Researching post-quake radio audiences'. Participations: journal of audience and reception studies. 13(2). 86-108.
This citation is automatically generated and may be unreliable. Use as a guide only.
Keywordsradio; disaster; earthquake; Twitter; television; witnessing; archival audience research
ANZSRC Fields of Research47 - Language, communication and culture::4701 - Communication and media studies::470102 - Communication technology and digital media studies
43 - History, heritage and archaeology::4303 - Historical studies::430320 - New Zealand history
21 - History and Archaeology::2102 - Curatorial and Related Studies::210201 - Archival, Repository and Related Studies
16 - Studies in Human Society::1604 - Human Geography::160403 - Social and Cultural Geography
Showing items related by title, author, creator and subject.
Millar P (2016)In this paper Paul Millar outlines the development of the University of Canterbury Quakebox project, a collaborative venture between the UC CEISMIC Canterbury Earthquakes Digital Archive and the New Zealand Institute of ...
Print past. Digital present. Predictable future? Where will digital technology take the College of Arts in the 21st Century? Millar P (2015)In this seminar Paul Millar discusses his involvement in Digital Humanities activities going back to the early 1990s, and outlines the often-unpredictable trajectory of some of the projects he has been involved with. ...
McMullan M; Cobley JJL (2017)This article synthesizes an intern’s experience assessing the University of Canterbury’s (UC) theatre and concert music program ephemera collection for its teaching and research potential, and evaluating its storage ...